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, by Norman Bryson
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Product details
File Size: 5805 KB
Print Length: 192 pages
Publisher: Reaktion Books (November 1, 2013)
Publication Date: November 1, 2013
Sold by: Amazon Digital Services LLC
Language: English
ISBN-10: 1780232527
ISBN-13: 978-1780232522
ASIN: B00GDDVSP4
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I liked this book of four essays. It is very well written. The author gives thoughtful explanations on several types of still life from low to high and also provides historical context as well as a bit of literary criticism. I am a museum docent, and I refer to this book over and over especially when i am preparing to give a still life tour. Perhaps it is because I am drawn to still life paintings, but it never gets tiring, and I am given fresh eyes to appreciate this genre. Although, I will say that the book is limited to the western canon up to perhaps the 20th century.
I used this as the basis for an hour tour at a major encyclopedic museum. Great read.
I was looking for something that would take me on a musing tour through various paintings. Too technical and analytical for my reading needs. Maybe more insight into the writers intention needs to be part of the adverts.
There is not much literature available on the subject of still life painting that goes beyond the obvious surface information. This is the first review of the history of still life painting which reexamines the human implications of different still life ideas throughout history. The four essays are in depth explorations of the challenging questions asked by seemingly ordinary subject matter and the formal ways in which artists engage these concepts. I wish I would have known about this book years ago.
If you're wavering on your decision to purchase this work, just go for it. I took a seminar from Professor Bryson one semester, and let me tell you, this man simply exists on a whole different intellectual level. He constantly confronts and re-perceives art and artistic theory, pushing your mind to process visual information in radically different ways.
In many american universities there is a sharp division between the classic art historians and the linguistics-inclined post modernists. Bryson's range encompasses both.
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